In a desire to capture experience and to secure the past to figure the future, I explore the elaboration of memory, the construction of social relationships, and my fascination for the imperceptible.
Through a multiform body of work and by borrowing techniques from history, journalism, and science, I explore the limits between the personal and subjective on the one hand, and the common and shared on the other. Divided between studio practice, public art and civic engagement, my work often takes the form of installations, experimental archives, public intervention, and distributable pieces.
Throughout my practice, works have taken various forms and explore diverse contexts. My earlier works questioned the body and corporeal sensation; over time, the active participation of the viewer has become increasingly central to my practice and the artwork itself. My overall body of work aims to make the fragility inherent to the